This publish is Filed Under:
Home page Highlights,
Interviews as well as Columns
KC Carlson by Stuart Immonen
A KC COLUMN by KC Carlson
Yeah, I don’t truly understand why I did that. The day started out being a “clean up the comics room” day, up until I realized that the piles of recent unread comics were starting to *ahem* stack up. I noticed that the marvel piles were taller than the DCs — that’s not as well surprising since I seem to be physically able to checked out the present DCs quicker than most Marvels these days.
Amazing Spider-Man #25 Variant Cover by Immonen
I’m not sure precisely why that is, however if I had to guess, I’m most likely “reading” most marvel Comics “slower” since I’m really studying the artists’ work more. situation in point: Stuart Immonen on fantastic Spider-Man.
Legion of Super-Heroes #53
People that understand my history a bit bit understand that I hired Stuart (on the basis of his art samples) to draw legion of Super-Heroes for DC, beginning in 1992, just as I was showing up there particularly to edit the series.
Actually, I hired Stuart to pencil the legion before I set foot in the DC Comics offices. (Technically, I wasn’t even a DC worker yet.) somebody at DC (under the direction of soon-to-be DC executive Editor Mike Carlin) sent me his samples while I was working out my notice at the task I was leaving (editing Comics retailer at Krause Publications), as well as I keep in mind being stunned that nobody else had hired this obviously skilled artist yet.
Legion of Super-Heroes #38
I spent much of my two-week notice phoning Carlin after hours as well as from house to make sure I was doing things procedurally correct to make Stuart an offer. One Friday evening, I phoned Stuart from my home to officially hire him to pencil the legion of Super-Heroes, starting instantly after outgoing artist Keith Giffen’s last problem — the somewhat questionable problem where they blew up the earth. Stuart’s very first full problem was legion of Super-Heroes #39, however he likewise pencilled the famous “The End” cover for legion of Super-Heroes #38.
It didn’t take long for Stuart’s work to get noticed, particularly at DC. After I physically got to the nyc DC Comics offices, my office was swarmed with requests by other editors to see Stuart’s pencils. From that response alone, I understood that I had gotten extremely lucky in “finding” Stuart — as well as I likewise started realizing that he was ultimately going to get much better offers for work.
Adventures of Superman #534 which was written by Immonen as well
Luckily, the very first finest offer came from within DC. A slot had opened up on one of the four Superman titles. Over the years, Stuart has pencilled runs on both Adventures of Superman as well as action Comics, in addition to numerous specials as well as one-shots featuring Superman. before all that occurred though, one day, I got a special “closed door” go to from Mike Carlin to discuss the situation. He wished to hire Stuart away for his Superman empire. I couldn’t state no to Mike — as well as really didn’t want to. I would have liked to keep Stuart on the legion book forever, however there he might only ever be, at best, a “cult artist”, because of the material. (The legion of Super-Heroes being one of the most cult comics series ever. You’ll likewise notice that it isn’t being published at all these days — in spite of some major “teases” that amounted to nothing — except when in a while to keep the trademarks.)
Nextwave: Agents of dislike #10
Stuart really outlasted me at DC. I left DC in 1997 for a number of reasons, none of them having anything to do with either him or LSH. (I still miss both of them terribly, however at least I still get to see Stuart’s work on fantastic Spider-Man most every month, inked by the likewise wonderful Wade Von Grawbadger.) Stuart was included with the continuous Superman titles with 2000, however he returned to a version of the character in 2004 for the must-read Superman: trick Identity, written by his regular collaborator Kurt Busiek. other series the two created include Superstar: As Seen on TV as well as Shockrockets for Gorilla Comics. For Marvel, Stuart’s had runs on ultimate Spider-Man, ultimate great Four, ultimate X-Men, The new Avengers, the fear Itself restricted series, all-new X-Men, as well as my fave, the miniseries Nextwave: Agents of Hate, written by Warren Ellis.
50 reasons to stop mapping out at Conventions
In 2005, he self-published the hysterical 50 reasons to stop mapping out at Conventions, a little collection of comic strips that succinctly match the title of the work. It’s my preferred publication of his, since I was sitting next to him at comic book shows when a fair portion of these stupid things really occurred to him.
Life is complete stranger than fiction.
Shockrockets #1
____________________________
KC CARLSON SEZ:So why am I believing about Stuart today? since I just completed reading four or five problems of the present fantastic Spider-Man that he (and Wade) worked on — as well as there’s one more one (#798) on sale next Wednesday. If you’re not already reading these, you requirement to inspect them out. quickly one of Marvel’s currently fantastic titles.
WESTFIELD COMICS is not accountable for the stupid things that KC says. particularly that thing that truly irritated you. Hi, Kathryn!
